Programme Note

“Cadence” explores the intricate interplay between structure and spontaneity. The piece takes its name from the musical term “cadence,” which traditionally refers to the harmonic or rhythmic progression that signals the end of a musical phrase, providing a sense of tension and resolution. It is such an intimate concept to musicians because it not only appears in the majority of the repertoire, but also serves as a key element of one’s interpretation.

As a composer, this alone is a fascinating concept. But in this work, I was also inspired by cadence beyond its musical connotation. In language, it defines the natural rise and fall of speech, creating a harmonious rhythm. In nature, cadence can be observed in phenomena such as the ebb and flow of tides, or the rhythmic beat of a bird’s wings, instilling a sense of order and predictability in the world around us. Indeed, cadence finds application in various aspects of life. It encompasses the flow and pace, influencing how we perceive and engage with it.

With this in mind, the piece explores the balance of tension and resolution, while infusing my own cultural roots in the music. As the piece unfolds, it oscillates between moments of poised stability and eruptions of playful energy. As the piece culminates, it ultimately arrives at a cadence that mirrors the very beginning of the piece. For all of this, I cannot think of a more special instrumentation than the cello quartet to “play” with. I am truly pleased to have the superb Galvin Quartet and Concert Artists Guild as partners for this journey.
—Zhou Tian